Without going into too much about the flight and accommodations, let's just say things went smoothly and were basically not fucked up in the slightest.
My strategy was to position myself quite close to the left side of the stage the first night (Clint's side), then the right side the next night (Roger's side). The bass the first night tore my head off- I don't think I had any idea what loud really was until I saw these guys. They were full of intensity and energy, and you could feel the mutual emotional bond between band and crowd- we both loved every second of the show. The second night I got a clue and took some earplugs (thank you Roger!) and found if I took them out just a tiny bit I could hear everything but the cymbal hiss and guitar screech at the top of the mix, so I was all good.
First night's setlist:
- The Setup
- 1,2,3 Partyy!
- Possession
- Blunder
- Peking Spring (holyshityesfuckgoody)
- 13
- 2wice
- Absent Mind
- Here It Comes
- SSL 83
- Einstein's Day
- Hi-Fi (a new track, hot off the press)
- Good Cheer
- 1001 Pleasant Dreams
- That's How I Escaped My Certain Fate
- Red
- Encore- a cover of the Yardbirds' Happenings Ten Years Time Ago
- That's When I Reach For My Revolver
- Learn How
The Setup was a superb opener, featuring hyperfast bass runs and a great dueling guitar-tape section. Einstein's Day contained one of Roger's best solos I've yet heard, the only thing I can think of offhand that tops it is the next night's Donna Sumeria. Everyone was thrilled at the inclusion of Peking Spring and Revolver, but even newer tracks were heartily appreciated by the rather eclectic mix of folks in the crowd. Ages ranged from young whelps like myself all the way up to middle age and beyond.
Second night's setlist:
- Devotion
- Possession
- Good Cheer
- 2wice
- Hi-Fi (went much better this night, seemed like it was still being written)
- Trem Two
- Spider's Web
- Hunt Again
- One Day We Will Live There (band flubbed the ending, but they managed to shrug it off)
- SSL 83
- After The Rain
- Innermost
- Dumbells (a rare treat, dating back to the never-recorded Vs. follow-up)
- 1,2,3 Partyy!
- This Is Not A Photograph
- Nancy Reagan's Head
- Encore1- 1001 Pleasant Dreams
- Academy Fight Song (stood in for Revolver as the 'Big Hit' for the night)
- The Ballad of Johnny Burma
- Encore 2- Donna Sumeria (fan-fuckin'-tastic solo, great bass riffs)
- That's How I Escaped My Certain Fate
As you can probably see from the setlist, there were a few too many repeats this night, but there were more tracks overall, and a few rare treats. Hunt Again rocked hard, and Dumbells sated my urge to hear So Fuck It in concert, thanks to similar guitar histrionics in both songs. The new track Hi-Fi seemed to go over better thanks to some stronger lyrics and more impassioned playing in the middle section, which was admittedly quite good. Donna Sumeria was a real standout here, really showcased everything the band could do- a great disco dance beat intercut with gut-wrenching fills, funky guitar with freakouts and weird noise riffs, and pummelling, supple bass throughout. Though the music the second night was not as mind-blowing, I did meet the band, and they were super nice. I was surprised to find that they were rather flattered I made the trip to Boston. Evidently, they don't think of themselves as big famous rock stars. (Probably because they aren't famous, but they do rock.) Both Roger and Clint gave me a firm handshake and an appreciative comment for getting out to their neck of the woods, and I even got a photo with Roger:

Special thanks to fellow fans Terri and Tina. Terri rocked out with me the first night, as seen here:
God, my head looks huge. Terri's on the right, yeah...
Lucky lady got a souvenir.
She was totally in the zone for most of the show, dancing and singing along and just as into it as you can be. She was a great example of fan dedication, and I dug her rapturous grooving to the music.
The second night I stood behind Tina, a friendly and talkative fan from the band's early days. We had a lot of musical touchstones in common. Here's her with the handwritten setlist from Roger's amp:

The second night I stood behind Tina, a friendly and talkative fan from the band's early days. We had a lot of musical touchstones in common. Here's her with the handwritten setlist from Roger's amp:

She had some great stories about the Rat and the Space from '79. A great gal.
All photo credit goes to Brian Hampton, who made a great travel partner and roomie. Thanks dude.
It was a great trip. All in all, a wonderful weekend filled with adventure and delight. Maybe I'll see them again in April when they hit Chicago.
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